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The Luminara of Saint Ranieri

June 16 2004

Every year on the night of the 16th of June the enchantment of the Illuminations of Saint Ranieri is renewed on the streets running along the river Arno (the so-called Lungarni). In fact, following an ancient tradition the Pisans celebrate their patron saint, St. Ranieri, of the following day. There are about seventy-thousand wax candles which at every edition are meticulously set in smooth and white glasses and fixed then onto wooden white-painted frames, modelled in such a way as to exalt the outline of the palaces, of the bridges, of the churches and of the towers reflecting on the river.

image

The exceptional appendix to this scenery is the leaning tower, enlightened in the same old fashion with oil lamps, set also on the crenulations of the city walls in the area encircling the Piazza dei Miracoli. After the lighting, because of the reverberation of the myriad of trembling lights on the Arno and because of the candles that are left floating on its waters, the event offers the visitor a unique feeling impossible to describe thanks to the ecstatic enchantment that since antiquity makes the Pisan nights of the 16th June magic. On the 25th of March 1688, the urn containing the body of Ranieri degli Scaccieri, patron saint of the city who died as a saint in 1161, was placed inside the chapel dedicated to the Crowned Virgin in the Cathedral of Pisa. Cosimo III Medici asked that the old urn containing the relic was changed with a more modern and richer one.

click to zoom in - candles set in glasses

click to zoom in

The translation of the urn was the occasion for a memorable feast, from which, following the tradition, started the three-year illuminations of Pisa, first called Illumination and that then during the nineteenth century took the name of "Luminara".

The idea of celebrating the feast by enlightening the town with oil lamps was still not conceived at that time, but it was an ancient habit gradually consolidated during particularly solemn and joyful events having nothing to share with the worship of the patron saint. There is clear evidence of this tradition: on the 14th of June 1662 (before the translation of Saint Ranieri’s body) the Illumination was made in honour of Marguerite Louise, princess of Orléans and wife of Cosimo II, who passed through Pisa on her way to Florence. There is also evidence of some previous editions such as the one organised in honour of Victoria della Rovere on occasion of the night feast for the carnival in 1539.

Started as illuminations of the windows of the houses during parades or procession, the Luminara, following the new scenographical fancy of the time, in the XVIII century it became a free enlightened architecture placed on buildings, of which progressively they redesigned the outline creating strange shapes that transformed the city and especially the banks along the river. In some cases the illuminations still underlined the real structure of the buildings. The history of the Luminara constantly followed the one of the city. It was abolished in 1867, then restored in 1937 on occasion of the resumption of the Gioco del Ponte and then suspended during the Second World War. In 1952 the Luminara of Saint Ranieri was resumed and the tradition lasted until 1966.

candles are set in glasses and fixed onto wooden white-painted frames
candles are set in glasses and fixed onto wooden white-painted frames

 In November of the same year the violence of the floods of the river Arno caused the collapse of the Solferino bridge and of long stretches of the banks along the river. The Luminara was then suspended again, and finally revived in June 1969.

Written by Ufficio Turismo Comune di Pisa

Translation by Maria Vanzini

Photographs by Renato Sandrini

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